Free Ebook Other Harmony: Beyond Tonal and Atonal
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Other Harmony: Beyond Tonal and Atonal
Free Ebook Other Harmony: Beyond Tonal and Atonal
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Review
Noted composer, theorist, and critic Tom Johnson explores the theoretical discoveries of classical music's forgotten thinkers and composers, (Euler, Hauer, Slonimsky, Obouhow, Schillinger, and Messiaen), before taking the reader on a guided tour of his own investigations into the structure of harmony. He thoroughly analyzes chord families (in the style of Forte) and provides a number of his own techniques as alternate methods for classifying chords. This brief, accessible work provides a survey of alternative harmonic practices, and it is tailored to the composer who wishes to sample some fruitful methods of composition beyond strictly tonal or atonal harmonic practice. The work reflects Johnson's fascination with the mathematical underpinnings of harmonic structures. --Good Reads
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About the Author
Tom Johnson, born in Colorado in 1939, received B.A. and M.Mus. degrees from Yale University, and studied composition privately with Morton Feldman. After 15 years in New York, he moved to Paris, where he has lived since 1983. He is considered a minimalist, since he works with simple forms, limited scales, and generally reduced materials, but he proceeds in a more logical way than most minimalists, often using formulas, permutations, predictable sequences and various mathematical models. Johnson is well known for his operas: The Four Note Opera(1972) continues to be presented in many countries.Riemannoper has been staged more than 30 times in German-speaking countries since its premier in Bremen in 1988. Often played non-operatic works include Bedtime Stories, Rational Melodies, Music and Questions, Counting Duets, Tango,Narayana's Cows, and Failing: a very difficult piece for solo string bass. His largest composition, the Bonhoeffer Oratorium, a two-hour work in German for orchestra, chorus, and soloists, with text by the German theologian Dietrich Bonhoeffer, was premiered in Maastricht in 1996, and has since been presented in Berlin and New York. Johnson has also written numerous radio pieces, such as J'entends un choeur (commissioned by Radio France for the Prix Italia, 1993), Music and Questions (also available on an Australian Broadcasting Company CD) and Die Melodiemaschinen, premiered by WDR Radio in Cologne in January 1996. The principal recordings currently available on CD are the Musique pour 88 (1988) (XI), An Hour for Piano (1971)(Lovely Music), The Chord Catalogue (1986) (XI), Organ and Silence (2000) (Ants), and Kientzy Plays Johnson(2004) (Pogus), Rational Melodies and Bedtime Stories performed by clarinetist Roger Heaton (Ants Records AG12) and Symmetries (Karnatic LabsKLR 010). The Voice of New Music, a collection of articles written 1971-1982 for the Village Voice, published by Apollohuis in 1989, and Self-Similar Melodies, a theoretical book in English, was published by Editions 75 in 1996. Recent projects include Tilework, a series of 14 pieces for solo instruments, published by Editions 75 in 2003, Same or Different, a piece commissioned by the Dutch radio in 2004, and the Combinations for String Quartet, premiered in Berlin on the MärzMusik festival in 2004, and more recently, scores such as Kirkman s Ladies, Networks, Septet,and 55 Chords for two electric keyboards, all derived from combinatorial designs. As performer he frequently plays his Galileo, a 40-minute piece written for a self-invented percussion instrument. Johnson received the French national prize in the victoires de la musique in 2001 for Kientzy Loops. The latest orchestra score is 360 Chords, premiered in July 2008 by Musica Viva in Munich. A complete listing of his music and books is available at the Editions 75 website.
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Product details
Perfect Paperback: 254 pages
Publisher: Editions 75 & Two-Eighteen Press; Second Printing edition (November 18, 2014)
Language: English
ISBN-10: 290720002X
ISBN-13: 978-2907200028
Package Dimensions:
8.9 x 5.9 x 0.4 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#202,063 in Books (See Top 100 in Books)
It is sad that this book has not found the attention that it deserves. It is well-written and fun to read, unlike many of the stuffy books dealing with complex music theory issues. Tom Johnson is a composer, so you can expect clear, concise and practical ideas, combined with information that cannot be found anywhere else. Some theory knowledge is needed, but even if you have holes in your theory background, you will be able to grasp what the author is talking about. I would identify this book as a survey+guide that would lead you to a significantly broader understanding of how harmony works. Five stars without any hesitation.
Tom Johnson has done composers a favor in writing this book. The technical stuff is interesting and worthwhile, and Johnson also works in some of his own compositional concerns (for example, equality and completeness). Composers constantly evaluate how their technical means and aesthetic principles interact. Johnson's book offers some side-roads that might get us home (aesthetically) faster than the main streets.
Having an interest in music theory for nearly fifty years now, I was intrigued by the title. It very much lives up to its name. Not only did I find new areas to explore, but concepts I'd previously encountered were enhanced by clear explanations and examples. As he states, the author is interested in providing new resources for the contemporary composer, and not so much in providing analyses for the musicologist. I've already created a few etudes using the material, and have ideas for several longer works...after only a week or so after getting the book. One of the best books I've bought since Schoenberg's Theory of Harmony.
This book was mostly beyond my level of intelligence. I am not being sarcastic and I do not want this to sound like a negative review. If you have a strong mathematics background and good computer skills you will like this book. It uses numbering systems for the 12 note chromatic ( like Forte 0,1,2... equals c, c#, d) to generate matrices of harmonies, tetra chords, scales etc. The chapters on some lesser known composers were good.
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