Download PDF The Portrait in Clay: A Technical, Artistic, and Philosophical Journey Toward Understanding the Dynamic and Creative Forces in Portrait Sculpture, by Peter Rubino
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The Portrait in Clay: A Technical, Artistic, and Philosophical Journey Toward Understanding the Dynamic and Creative Forces in Portrait Sculpture, by Peter Rubino
Download PDF The Portrait in Clay: A Technical, Artistic, and Philosophical Journey Toward Understanding the Dynamic and Creative Forces in Portrait Sculpture, by Peter Rubino
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About the Author
Peter Rubino’s passion for art began at an early age under the tutelage of his father, a fine artist. He was inspired by the works of Michelangelo, Rodin, Maillol, and Henry Moore. A dedicated instructor, Rubino currently teaches at the National Academy School of Fine Arts in New York City and the Rubino School of Sculptural Arts in Connecticut. In addition, he conducts annual workshops at the Scottsdale Artists’ School in Arizona and the Loveland Academy of Fine Arts in Colorado.
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Product details
Paperback: 160 pages
Publisher: Watson-Guptill; 1st edition (November 1, 1997)
Language: English
ISBN-10: 0823041026
ISBN-13: 978-0823041022
Product Dimensions:
8.3 x 0.5 x 10.9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
27 customer reviews
Amazon Best Sellers Rank:
#398,984 in Books (See Top 100 in Books)
Very good book to have in ones library of art texts. Currently using it to address individual parts of the face, sculpting eyes, nose, ears and mouth to sharpen up skills. This book addresses wet clay while I am using Plasticine (oil based) clay. It is well illustrated with actual photographs of work in progress. In the beginning there are basic instructional information and as it progresses individual details are provided in sharp, clear illustration. I would recommend this book and do. It also addresses the anatomy of the face in very fundamental ways, about two to four pages worth enough to encourage me to purchace a life size skull to practice from. Hoping the clay adhears well to the skull.
I am trying to get a hold of as many books on sculpting techniques as possible as I live 2 hours from the nearest college, so this is how I have to learn. While I also gave Katherine Dewey's "Creating Lifelike Figures in Polymer Clay" a high review, those techniques just don't translate as well into sculpture as I had hoped (though her discussions on scaling and proportion do). Peter Rubino's "The Portrait in Clay" is an excellent step-by-step beginner's guide to sculpting portraits. Its broken down into 5 sections.The first shows you the basic techniques on a generic head.The second section is a brief section on tools. Its brief because he doesn't use very many tools.The third section shows sculpting with a live model. The photos (the failing of far too many scultping books) are clear, detailed and actually show the area being concentrated on. They are not perfect, but still do an excellent job (you sometimes have to skip ahead a couple of pages to see what the current step looks like when completed).Section 4 is a detailed discussion of the individual features of the face: nose, eyes, ears, the mouth and chin. Part of what makes this book good is that during the first and third sections, he refers to these sections with page numbers so you are not just flipping around. However I think he could have merged sections 1 and 4, or at least put 4 after 1.Finally Peter details the finishing process: hollowing, firing and applying a patina. I must reserve judgement here. It reads good, but this is for water-based clay and I work in oils so I can't really comment on it.Books like this create a difficulting when attempting to rate them due to the differing abilities of the potential reader. So for this I will say 5 stars for the beginner, it has everything you need to make a good portrait in clay. You might even make a few bucks off what you learn. For the intermediate I would call it 3 stars because there is probably something in here that will make your process a little easier or more accurate. For advance artists, I doubt you will find much of value.My criticisms are three-fold. First, the artist's finished portrait created during this book doesn't look like the live model. But I think this is due more to the artist's eye than his techniques. Second, it doesn't offer any methods for smoothing the work to create more lifelike texture. And third, his patina finishes are, in my opinion, way too heavy-handed. He attempts to create the bluish effect of aged bronze, but really ends up just painting it blue.Again, a great book for the beginner, the best I've read so far.
I have a good collection of Portrait Clay books. This is a fair one. The images contained in the book are not great. Overall, the techniques are what you would expect from a book of this type. I did not find the book particularly helpful. It was a poor addition to my collection.
This is the 4th copy of this book I've purchased for my classroom. My students seem to love it so much for guiding their head sculpture assignment they keep the book! Highly recommend due to the excellent instructive photos.
Start with this book. I bought this book when I was halfway through a sculpture workshop at the Museum of Fine Arts, Boston. I learned so much from this book. Peter Rubino demonstrates two ways to "get started" and clearly shows techniques to help you figure out some of the tough parts of sculpting a head(like the eyes.) The photographs are clear and the text is direct. This is really a terrific book. If you are interested in getting started tn clay portraiture then buy this book. I'm sure you won't be disappointed.
I guess this book is okay. I ordered it to go along with a college course I was taking and the book couldn't hold a candle to my class information. It has fairly decent methods to sculpt eyes and individual features, but the book is just a plain jane, very basics book. Quite disappointed with what the book's final sculpt looks like- it would be a C probably at my school. After one semester of sculpting I have total confidence that i could write a book at least as good as this one....I'm actually thinking about selling it back. This is not one that I would really value in my art book collection.
If you purchase this book you have completed your "How to" sculptural library. I found this book quite by chance and it will remain open while I work.
The technic was described very clearly in detail and I'm sure the book will be used a lot. Thank you.
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